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On December 8, The Atlantic published Alyssa Rosenberg’s “Fall TV’s 10 Biggest Disappointments”. link  In her list, True Blood comes in for some scornful criticism, placed beside a picture of Lafayette:

True Blood goes bonkers, racist 

Alan Ball may have tried to move away from vampires-as-sexual minorities metaphors. But his HBO fantasy hit still has ideas about sex and race—and some of them are pretty strange. After subjecting Jason Stackhouse to a gang rape at the hands of a clan of werepanthers, True Blood promptly forgot about it. And the show moved on from there to have an effeminate black gay man possessed by the spirit of an entirely stereotypical dead black woman in a plot-line that’s really about having a couple of literally magical Negroes feel better about their family life. Saying that you don’t have a political agenda doesn’t mean that your audience can’t judge you when you put junk ideas on screen.

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Not a fair criticism of True Blood. Understandable, but not fair. What I mean is, and I know regular readers of TBU and TAP have heard this ad nauseum, but basically most people are missing the subtle parallels within the narrative that fill in missing information for other characters; essentially, each character parallel acts as it’s own metaphor within the ostensibly straightforward  narrative.

To wit, I  find it absolutely mind-blowing that mainstream critics are blasting the writers for glossing over Jason’s gang rape, yet almost no one seems to think it is unusual that season 4 Sookie never once referred to the enormous revelation that her ex-lover Bill had stood by while two psychos beat her to within an inch of her life so he could literally force-feed her a mind altering drug. A drug that has proven time and again to be a tool of control and manipulation, not to mention the ball and chain of addiction which has served many a pimp very well. Did you think Sookie is immune to addiction? What, exactly, makes you believe this?

Why so much concern for Jason and none for Sookie? Why so  much concern about the supposedly straightforward portrayal of ‘magical negroes’ [which doesn't include Tara] and none for the explicit portrayal of extreme abuse and victimization of women?

Is Alan Ball playing female victimization for shits and giggles or is there a point?

At the beginning of the season Sooke behaves exactly as though she and Bill have broken up due to some harmless indiscretion on his part and not as the result of finding out about his violent plot to attack and drug her. She runs to Bill for help with getting her house back from Eric when she should have been running and screaming to the police. She allowed Bill to lie–a lie that let’s HIM completely off the hook– to the whole town on her behalf when she should have declared from the rooftop that she thinks Bill drugged her and tried to make her believe she was on some fantastical Sid and Marty Krofft trip to Fairy World.  It was a ‘trip’ alright. Later in the season after showing some sparks of independent thought, Sookie is conveniently and seriously injured again and is AGAIN force-fed [ she was out cold and had no ability to consent] a huge dose of his blood-drug. Imediately afterward she’s back to loving him ‘totally and completely’. At the end of the season Sookie asks BILL to forgive HER. For what exactly it is impossible to determine.

The mere existence of these inexplicable behaviors should be cause for concern yet nobody remarks upon the main character’s bizarre state that allows her to continue loving  and defending her abuser.  The ENORMOUS power and abuse  issues are immediately apparent but are not worth analysis or even comment.

Is Alan Ball torturing Sookie Stackhouse so we can all get off on the fun of seeing a girl jerked around by a master manipulator who is out for her blood? Or is he illustrating a larger point the majority of the audience just can’t quite grasp? 

To believe and to behave as though these issues are not worth discussing is to condone the torture of female characters for the titillation factor alone. GIVING THESE WRITERS THE BENEFIT AND RESPECT OF A DOUBT, a quick survey of all Sookie has been through can only lead to the conclusion that her PTSD must be severe. Yet all  the critics and many fans can talk about is how stupid she is,  how clueless and dumb and hysterical. The same goes for attitudes about Tara. Everyone sees the trauma she has been put through, on top of her life as a repressed minority, but all you hear from people is how annoying she is and how much they hate her quivering lips. Well, forgive Tara’s grief.  Rejoice in her terrible death and ignore her bravery if you like but all you’re doing is going along with the Mob of Acceptable Opinion and perpetrating the demand for blood-thirsty entertainment completely devoid of redeeming compassion.

 Rather than reflecting on what these widely held anti-feminist attitudes say about us as a culture and how we tend to blame the victim IF the victim is female,  we blame it all on the incompetence and hatefulness of a top notch team of showrunner and writers. WE are not racist and anti-woman, it’s Alan Ball!

 True Blood may seem weird and racist and loaded with misogyny but a deeper look reveals not tone-deafness, not sub-par writing, not exloitation for it’s own sake, nor pandering to the lowest common denominator.  There is a method to the madness,  a thoughtfulness,  an intelligenct design, and a deep rooted compassion  that so far it’s audience can’t keep up with or live up to.  True Blood is merely holding up a mirror to our dominant culture and the reflection isn’t pretty.