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MULDER: Vampires have always been with us, in ancient myths and stories passed down from early man. From the Babylonian Ekimu to the Chinese Kuang-Shi to Motetz Dam of the Hebrews, the Mormo of ancient Greece and Rome to the more familiar Nosferatu of Transylvania.–X-Files 5.12 “Bad Blood”

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Engorged and densely packed the season three premiere of True Blood nevertheless moves at lightning vampire speed. We barely have time to register the images and dialogue of one scene before we’re jet-propelled into the next. Bristling with angst and electrified by urgent matters most of the characters shoot out of the gate as if their very survival depended on their continued forward momentum, like so many lone, lonely sharks.

 Sookie throws her manners, decorum, and empathy out the window and becomes a crassly rude and ruthless Nancy Drew in the quest to find her man, a  vamp she’s known all of six weeks but nonetheless thinks she loves as much as Sheriff Bud Dearborn loves his wife of many decades and the children and grandchilren of his own body. Aggressively busting in on and interrupting Eric’s intimate encounter with his new dancer Yvette she stands there demanding anwers and action from the gloriously naked Viking instead of excusing herself and waiting five minutes to allow him to get dressed. And nevermind Jessica’s entitlement to privacy, Sookie charges in to Bill’s house whenever she feels like it and orders the poor hapless, desperate child to do her bidding.

Jessica, horrified by the accidental killing of the trucker, instinctively knows better than bring her troubles to Sookie. Only Bill gets a pass on murder

Sookie notices nothing amiss, cares not for the suffering of others, takes not a moment to reflect on the fact that those close to her might be having trouble as well. The only thing that matters to her is that Bill is missing and must be found and she will steamroll whoever gets in the way of her quest.

For the defintion of real nihilism, see: Tara. She’s ready to destroy herself rather than live with the fact that she has nothing to live for. Lettie Mae is trying to latch on to her like a leach and suck her dry for a taste of redemption. Her cousin Lafayette can love and protect her but not from herself. The people she works with are so casually racist there seems no point in even trying.  Her supposed best friend Sookie thinks Eggs’ death by gunshot to the head is no worse than her missing almost-fiancee. In her desperate straits where can Tara go from here but ‘to ground’? She’s hit rock bottom and it’s either sink or swim.

“I’m sorry you dated a serial killer but who here hasn’t?” Arlene, far be it from anyone to exclude Sookie from your little club.

The most affecting moment in the episode is Terry’s speech to Andy about clinging to your humanity with everything you’ve got, even when you’ve done something that makes you feel less than human. Jason and Jessica needed this speech more than Andy but it’s the thought that counts.

Jason’s speech to Hoyt about the truth fucking people up is certainly true, and an anvil’s weight in foreshadowing, but hopefully it’s only a matter of time before he realizes that the truth only fucks up what needs fucking up, like Hoyts codependent relationship with his mother. Among other things.

Sam is not happy to be having blood-induced erotic dreams of Bill during his search for his white trash birth family, which only proves that vampire blood only produces a sexual attraction to the donor vamp and not romantic love. What does this say about Bill and Sookie? We must conclude that she is like many other gals and really does love a cad. Does his blood influence her feelings? Certainly so but not as much as his lies and manipulations do, of which he is the master.

In this episode Bill proves himself a ruthless and cunning survivor. He breaks free of his v-addicted werewolf captors, killing a couple of them in the process, hides himself from the daylight and then promptly finds easy pickings in the kindly and heartbreakingly lonely Olivia.

But did you notice? You’ve been glamoured! (because apparently Bill has that ability with the audience)

You really think a nearly drained Bill struck the oxygen-dependent Olivia like a deadly cobra, drank enough to become strong and confident when facing the circling werewolves yet left poor feeble Olivia alive and well?  And you think the cheepskate then left her a bit of  money for her kindness? If so I’ve got a bridge in Brooklyn I’d like to sell you.

Olivia is one lucky lady. Not only is she not the worse for wear she’s also the only vampire food who has ever come out of a feeding without fang marks or any blood on her anywhere. And we all know how neatly Bill feeds. /sarcasm. Considering her age and physical condition she should be dead. And she is, without doubt. Prediction: Look for a news report of Olivia’s murder-by-vamp in a later ep.

Eric can glamour the audience too–with his beauty.

Eric is practically luminous in this episode. He’s also in trouble and still a terrible liar. In front of the Magister he was about as convincing as my son was at age 10 when he attempted to lie.

What is UP with the Queen? Why does she not care that Bill is missing? Is the edict a no-go or did she have a hand in his kidnapping? If so, for what purpose?

I think it’s hilarious that the IRS is breathing down the capricious queens neck but I seriously doubt that money is her only motivation for selling V. Only time will tell.

 And why did Eric want Mr. Reuben to bring him Bill Compton? Does he have the goods on him for one crime or another (out of hundreds, I’m sure) or was it his intention to put the fear of God (who comes :D ) into him?

I wanted to mention that I love the wolves. So beautiful and primal, these magnificent animals make the storyline feel somehow organic.

Stay tuned next week for ‘Beautifully Broken’.